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‘백의민족의 영상’ 김산
‘Inspiration for the White-clad Nation’ Kim San The silt from the Taklamakan Desert flew in and piled up for thousands of years to form a loess plateau. This plateau was eroded by running water for thousands of years to form a deep valley. In the loess plateau of Shanxi Province, only red sandstone creased with wavy patterns remains to testify to its long history. A crease in that valley must have kept the memory of Kim San. Is the wind passing through those creases the song of Arirang that he sang more than a hundred years ago? Wouldn't he be waiting to return to his homeland, even if it was as a handful of dirt? What does a homeland mean to strangers, the diasporas, regardless of where and whom? I first read 『Song of Arirang』 in the USA in my early 20s. Korea was crossing another Arirang pass due to the Gwangju Democratization Movement, and this book contains the story of two unlikely people. One was an independence activist and East Asian revolutionary, Kim San (real name: Jang Ji-rak), and the other was an adventurous American journalist Nym Wales (real name: Helen Foster Snow). They met amid the vortex of the Long March of China in 1937. Wales saw in Kim San, a man of “a confident and dignified attitude and hands as lean as those of a scholar,” a depth of thought and insight that was not found in the 25 Chinese revolutionaries for whom she wrote biographies. Kim San left his own voice through her, leaving traces of countless unnamed 'Kim Sans' in history.
Yoo Jeong-ae, Professor of History, Sungkyunkwan University