동북아역사재단 NORTHEAST ASIAN HISTORY FOUNDATION 로고 동북아역사재단 NORTHEAST ASIAN HISTORY FOUNDATION 로고 Newsletter

과감하게 새로운 기술을 통해 '도약'을 이루는 역사지도책 프로젝트가 되어야
"Leapfrogging" Historical Atlases with New Technologies On May 19, 2016, the Northeast Asia History Foundation jointly hosted an international conference with the Korean Cartographic Association at the Korea Press Center under the theme "Historical Atlases: Concepts and Methodologies." This month's interview features a participant of the above conference Professor Peter Bol and his thoughts on a "gold standard" for concepts and methodologies involved with historical atlases.
Interviewed and edited by  Kim Jong-geun (Research fellow, NAHF Institute of Dokdo Research)
임나일본부설의 역사학
An Account of Theories About Imna Nihon-fu The Imna Nihon-fu controversy has recently been gaining attention from different spheres of society beyond academia, including the media, politicians, and civic societies. This seems to have been triggered by discussions increasingly taking place over Northeast Asian history. Besides serving as a nucleus of academic disputes about ancient Korea-Japan relations, the controversy is also being used to infuse distorted perceptions and prejudices about Koreans and Korean history.
Written by Yeon Min-soo (Research fellow, NAHF Institute of Japanese Studies)
Self-reflecting Desultory Diplomatic Actions Toward Japan "We have been defeated, but Joseon has not won. I guarantee that it will take much longer than a century for the people of Joseon to come to their senses and restore the glory Joseon once possessed. We Japanese have ingrained upon the people of Joseon colonial education that is more fearsome than guns and cannons. They will end up turning against one another and live like slaves. Wait and see! Joseon once was glorious and great, but the present Joseon will become prey to colonial education. And I, Abe Nobuyuki will return."
Written by  Kim Mun-won (Chair-professor, Shinhan University)
역사적 사실과 영화 미학의 결합 - 영화 <마지막 황제>를 보다 -
The Last Emperor: A Union of Historical Facts and Cinematic Aesthetics hen the film "The Last Emperor" directed by Bernardo Bertolucci in 1987 was released in South Korea, film critics and the audience mostly assigned positive reviews and ratings toward it. That was probably because the film had already won several of the prestigious Academy Awards in addition to the historicity and excellent attractions the film itself featured. The film also gave the impression that its director tried to present a relatively balanced depiction of Puyi's life compared to that in the autobiography by Aisin-Gioro Pu Yi, which the director had consulted as well to make the film.
Written by  Yu Jang-geun (Professor Emeritus of History, Kyungnam University)
문화 독립운동에 한평생을 바친 민족 문화유산 수호자
A Life Dedicated to Guarding Korea's Cultural Heritage Kansong (澗松) Jeon Hyeong-pil (全鎣弼, 1906-1962) was someone who prevented Korea's cultural heritage such as Goryeo celadon, Joseon porcelain, Buddhist sculptures dating back to the period of the three kingdoms, and books printed in rare types from falling into the hands of the Japanese during Japan's occupation of Korea. He came into a rich inheritance as a junior in college when his father passed away in 1929. Although he became one of the forty richest men in Joseon at the age of twenty-three, he didn't start his own business or choose to live a life of leisure.
Written by  Lee Chung-ryeol (Author of “Kansong Jeon Hyeong-pil”)
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